IMPORTANT NOTICE: The Hall of Fame will be closed December 24–25 for Christmas.
LEARN MORE
Close
clock

Opens at 10am

MENU
clock

Opens at 10am

MENU
clock

Opens at 10am

Curator's Corner / NASCAR 75th Anniversary

Lee Petty’s Daytona 500 Artifacts

The Patriarch of the Petty family won the first Daytona 500 in 1959, and the NASCAR Hall of Fame has some remarkable artifacts from his victory.

One of the most memorable races in NASCAR history was the inaugural Daytona 500, a race that was not declared official until three days after the checkered flag flew.

The 1959 Daytona 500 ended with the Oldsmobile of Lee Petty (NASCAR Hall of Fame Class of 2011) crossing the Daytona International Speedway start-finish line in a virtual dead heat with the Holman-Moody Racing Ford Thunderbird of Johnny Beauchamp and the lapped Chevrolet of Joe Weatherly (Class of 2015). Petty and Beauchamp both pulled into Victory Lane in the Daytona infield, where Beauchamp was initially declared the provisional winner.

The Harley J. Earl Trophy that Lee Petty received for winning the inaugural Daytona 500 in 1959 is on exhibit in the NASCAR Hall of Fame’s Heritage Speedway. Photo courtesy of NASCAR Archives & Research Center/CQ-Roll Call Group via Getty Images

After the finish, NASCAR founder and Chairman William H.G. France (Class of 2010) put out a call to photographers, looking for start-finish line images that would definitively prove who won the race. T. Taylor Warren, a NASCAR photographer and the winner of the NASCAR Hall of Fame’s 2023 Squier-Hall Award for Media Excellence, provided France with the image that proved the rightful winner was Petty, not Beauchamp, as originally thought.

quote icon

T. Taylor Warren provided France with the image that proved the rightful winner was Petty.

— Tom Jensen

When he competed in the 1959 Daytona 500, Lee Petty raced in this Pure Oil polo shirt, which is now displayed in the NASCAR Hall of Fame. Photo courtesy of NASCAR Archives & Research Center via Getty Images

The NASCAR Hall of Fame is home to several historically significant artifacts from the first Daytona 500 in 1959. Among them are:

The trophy Harley J. Earl Trophy Petty was given for winning the Daytona 500;

The uniform and helmet Petty wore during the race; and

Warren’s original photograph showing that Petty finished ahead of Beauchamp.

This famous T. Taylor Warren photograph proved Lee Petty (car No. 42) crossed the finish line ahead of Johnny Beauchamp (No. 73) in the inaugural Daytona 500 in 1959. Joe Weatherly (No. 48) led the cars to the start-finish line but was a lap behind Petty and Beauchamp. NASCAR Hall of Fame T. Taylor Warren Collection, Gift of Diana Warren

Collectively, these three artifacts help tell the story of the first Daytona 500 and the Hall of Famer who won the race and built one of the sport’s most successful race teams. These are just three of the many Petty family artifacts and cars we are proud to display in the NASCAR Hall of Fame.

In 1959, Lee Petty won his third and final Cup Series championship. Photo courtesy of NASCAR Archives & Research Center via Getty Images

The 1959 Daytona 500 paid a total purse of $53,050, of which $19,050 went to Petty and $7,650 to runner-up Beauchamp. This made it the richest race of 1959, edging out the Southern 500 at Darlington Raceway, which paid a total purse of $51,990, including $17,250 to race-winner Jim Reed.

As for Petty, 1959 proved to be a historic year. The patriarch of the Petty family set a career-high in ’59, winning 11 races. In the process, he became the first three-time NASCAR Cup Series champion and set a personal best for prize money, winning $82,778.

Petty competed in 42 of 44 races on the Cup Series schedule in 1959. He was the only driver to enter more than 40 races that year, and one of only four to compete in more than 30 events.

Plan a visit to the NASCAR Hall of Fame and purchase tickets at nascarhall.com/tickets.

Tom Jensen

Tom Jensen

Tom is the Curatorial Affairs Manager at the NASCAR Hall of Fame. For more than 25 years, he has been part of the NASCAR media industry.

Related Articles